Moleskine Covers

Over the summer I got out my stash of Japanese papers I used to use for papier mache and started printing covers for Moleskine 5" x 8" notebooks. Lots of fun.

Red Fish Swimming

I have to admit I like a lot of the names I give my prints because they are often just off the top of my head and relate very directly to the print. So Red Fish Swimming really is about red fish swimming. You've got the fish, you've got the water - they have to be swimming - right?. And unless you are colourblind, yes they are red.

Blue Horse Running

Another 'cobbled' together print.

The sky is from another reject block. What was I thinking at the time? It is a great block. Good thing I didn't throw it out. I learned that lesson a few years ago when I came across a proof of a print that I thought, at the time, was a lousy image, but years later saw that it was actually quite good. Did I still have the blocks? Nope. Too bad - so sad. I still have the proof though. The colours are a bit wishy washy, but the image definitely had potential. Sigh.

The landform is from a print that never made it through the proofing stage, but by this time I knew better and I saved the blocks and lo and behold this block is actually quite useful. I think I may have to make a few more blocks like this for more variety.

And the horse. Ah, that little horse block has been around for a long time now. When I first cut the block, I didn't have any real use for him. It was only a couple of years later in 1999 that I editioned him up in a print called Running Horse. And now he is continuing to run through all sorts of one-of-a-kind prints.

More Holland Willows

I have been on a bit of a printing binge lately and have been experimenting with a series of small one of a kind prints using a combination of existing and purpose cut blocks.

This print is made from two of my recent pollarded willow trees. The waves come from a block I made in 1995 (!) and the land under the trees comes from an envelope of blocks that never were completed as prints (it was fun going through those rejected blocks - not all of them were bad at all). The background block is one that I tend to use over and over and is the inspiration for the name of this print - Misty Day 2 (the first Misty Day sold too quickly for me to blog about it).

All in all, I like the freedom this random method gives me and I have made about 30 or so of these prints so far. Not all of them are willow trees!

Holland Willow and Double Willow

Staying true to the tree theme.

I like the look of pollarded trees with their thick knotted stumps. I suppose I like them because of the interesting shapes that are created by this style of pruning. It is the polar opposite of pruning a tree to enhance its natural form. And it is a form of pruning rarely seen in North America. The Getty Museum in California has pollarded trees as part of its landscape design and I have seen individual pollarded trees here in Toronto, usually on people's front lawns. But not as part of a designed urban landscape. Maybe it would cost too much to prune the trees all the time.

These prints are willow trees in Holland which are pruned every few years to create a crop of supple willow branches. I believe they are pruned just high enough so that the branches aren't eaten, but low enough for easy harvest. Though I wonder if the willow branches are still harvested at all. . I would like to make a larger print with a number of pollarded willows receding into the distance in a marshy landscape.

Double Willow is available for sale here.  Holland Willow is available for sale here.

Cloud Pine

I am staying simple for the moment and concentrating on trees.

This is a cloud pruned pine tree and is my print for Print Zero Studios' Print Exchange V. So far there are two confirmed exhibitions - the Florida Printmakers hosting at the University of Florida and the Sev Shoon Art Center/ BallardWorks who are hosting in Seattle. Their last exchange had 285 participants from from 18 countries and the show travelled to four states in the US.

Winter Trees

Simplicity achieved.

A simple rendition of winter trees against a snowy furrowed field. The starkness is just what I need in my printmaking life at the moment. Clean and cool and refreshing.

Winter Trees is available for sale here.

Along the Cabot Trail

About 18 months I ago I went around the Cabot Trail in Cape Breton and I took all of the usual photos of the ocean and headlands. Typical tourist stuff. But when I was going through them recently I found one of a rock face along the highway. Now I love rocks, but I am rarely satisfied with the way I cut them so I decided to have a go at these with a new set of cutting tools.


The keyblock holding all of the detail is linoleum and the backing blocks are cardboard with added textures, though the textures are pretty subtle. I like the overall effect and the colour combinations. The colours in no way resemble real life, but that's fine with me.

Available for sale here.

West German Vases

A couple of years ago I bought a small vase made by Scheurich in West Germany. It has a vermilion underglaze and a black lava glaze on top in a spider web pattern. The form is very simple, but I find the piece is stunning. This vase made me take a closer look at West German vases from the sixties and seventies and I found an awful lot to like. The modern forms, the interesting colour combinations - lots of browns, reds, turquoises and then all of the textures in the glazes captured my attention.



I decided I would have to try and recreate those glaze textures in print form and so I started to print vases. I have now editioned five vases and the two shown here are my current favourites. Someday I will make a print of the one I actually own!

Vase No. 26is available for sale here.